Recovering from the strict editorial grip of the Comics Code Authority on American horror comics in the 1950's, the 1960's and 1970's saw a new wave of horror comics published. This coincided with a relative boom of suspense, Fortean and science fiction television series around the same time, so it might have been only natural that the genres in both mediums would begin to overlap. Boris Karloff's Tales of Mystery, RipleyпїЅs Believe it or Not, and The Outer Limits all gained illustrated counterparts.

Boris RED 5 is the only integrated 3D compositing, titling, and effects application to deliver unparalleled performance to video editing software from Adobe, Apple, Avid, Grass Valley, Media 100, and Sony. An indispensable tool for post-production and broadcast professionals, RED offers a wide range of features right on your NLE timeline and adds a standalone engine for effects creation and rendering. RED integrates broadcast-quality text generators, paint, rotoscoping, a full suite of tools to create and extrude vector objects, true 3D shapes and animation, and the industryпїЅs most comprehensive image processing filter suite.

Boris RED 5 is the only integrated 3D compositing, titling, and effects application to deliver unparalleled performance to video editing software from Adobe, Apple, Avid, Grass Valley, Media 100, and Sony. An indispensable tool for post-production and broadcast professionals, RED offers a wide range of features right on your NLE timeline and adds a standalone engine for effects creation and rendering. RED integrates broadcast-quality text generators, paint, rotoscoping, a full suite of tools to create and extrude vector objects, true 3D shapes and animation, and the industryпїЅs most comprehensive image processing filter suite.

Boris RED 5 is the only integrated 3D compositing, titling, and effects application to deliver unparalleled performance to video editing software from Adobe, Apple, Avid, Grass Valley, Media 100, and Sony. An indispensable tool for post-production and broadcast professionals, RED offers a wide range of features right on your NLE timeline and adds a standalone engine for effects creation and rendering. RED integrates broadcast-quality text generators, paint, rotoscoping, a full suite of tools to create and extrude vector objects, true 3D shapes and animation, and the industryпїЅs most comprehensive image processing filter suite.

"Touch" is a preternatural drama where science and spirituality meet in which we are all interconnected. The show follows a group of unrelated characters. One of these is Martin Bohm (Kiefer Sutherland), a widower and a single father who is haunted by an inability to connect to his mute and severely autistic 10-year-old son, Jake. Martin has tried everything he could do in order to reach his son, but at no success. To spend his time, Jake has cast-off cell phones, disassembling them and manipulating the parts. This allows him to see the world in a different way entirely. Martin is visited by social worker Clea Hopkins. She insists on doing an evaluation of the living situation. Clea sees Martin as a man whose life has become dominated by a child he can no longer control. Martin discovers that Jake possesses a gift of staggering genius. That is, the ability to see things that no one else can, the patterns that connect everything to each other. Martin is guided by Boris Podolsky, an aging professor with a compelling but unorthodox theory about Jake. The theory is to join spirituality and science together in one happy medium. Created by Tim Kring. Francis Lawrence (Water for Elephants), "Touch" is an inspiring journey of a father and his love for his son with an unique talent for the world to see.

"The Weight of Chains" is a Canadian documentary film that takes a critical look at the role that the US, NATO and the EU played in the tragic breakup of a once peaceful and prosperous European state - Yugoslavia. The film, bursting with rare stock footage never before seen by Western audiences, is a creative first-hand look at why the West intervened in the Yugoslav conflict, with an impressive roster of interviews with academics, diplomats, media personalities and ordinary citizens of the former Yugoslav republics.
The film began with production in late 2009 in several cities throughout Canada including Ottawa, Montreal and Toronto, continued in early 2010 in the United States - Columbus, Dayton, New York and Washington, and was finalized in the Summer of 2010 in Slovenia - Ljubljana; Croatia - Vukovar, Djakovo, Jasenovac, Zagreb, Gospic, Knin; Bosnia-Herzegovina - Sarajevo, Trebinje; Serbia - Belgrade, Subotica, Kosovska Mitrovica, Trepca, Pristina, Orahovac, Prizren and Strpce. "The Weight Of Chains" was completed in October 2010.